Film

Blurry portrait

'Llyn Foulkes One Man Band' takes on an inscrutable artist

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Endless Don

The Roxie celebrates the roller-coaster career of an erstwhile Hollywood hunk

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arts@sfbg.com

FILM "Introducing Hollywood's newest hunk-a-man!" crowed the ads for 1956's Bus Stop, in which Don Murray made his film debut as the cowpoke besotted with Marilyn Monroe's movie-mad hick — a plum role in a big hit opposite the reigning box-office queen. The actor even got an Oscar nomination for this start at the tippy-top. But he didn't stay there long.Read more »

Lost and found

A man with a dream (and 3,000 films) powers the Berkeley Underground Film Society

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cheryl@sfbg.com

FILM Gerald Santana is stoked about his new Vitamix. When we speak, he's juicing up breakfast for himself and his kids as part of their raw-food diet. "Overall, it gives me better mental clarity, a stronger ability to focus, and all of the things that I really need to get my business together."Read more »

Frameline leftovers: Audience Award-winning Barney Frank doc 'Compared to What'

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Pride's Pink Saturday offered a dynamic final morning of the massive 38th annual Frameline, the world’s largest film festival devoted to LGBT films. Compared to What: The Improbable Journey of Barney Frank, a doc that gives an intimate look into the private and political life of the recently retired iconic Congressman, screened to a packed and cheering crowd at the Castro Theater.

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Inspiring doc 'Keeper of the Beat: A Woman's Journey into the Heart of Drumming' airs on KQED

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“I would get the comment ‘Gosh, you play really good for a girl,’” Barbara Borden admits in the introduction of Keeper of the Beat, which chronicles her lifelong passion for drumming. The documentary, by San Francisco's David L. Brown, airs Sun/6 on KQED

The Always brand's empowering #LikeAGirl ad campaign made the rounds on the internet this week, but Borden’s musical sojourn, discouraged for a female at the time, is decidedly more inspiring (especially since it’s delivered by a badass drummer and not a corporation). 

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Key of twee

'Once' filmmaker returns with lightweight music-biz fantasy 'Begin Again'

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A great week for (indie) sci-fi and docs: new movies!

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This week, Frameline continues (our coverage here!), plus offbeat sci-fi winners Coherence and Snowpiercer are well worth seeking out ... especially if you're not in the mood for more giant robot smash-ups from the Michael Bay factory. Plus: new docs and more! Read on.

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Vortex room

Sci-fi puzzler 'Coherence' raises the bar for high-concept, low-budget filmmaking

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Save Lost Weekend Video! An update on the Valencia Street stalwart's struggle for survival

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Dateline: San Francisco. Distressing news, via Facebook, on the "all the cool shit is in danger" front, with a post late Fri/20 by Valencia Street stalwart Lost Weekend Video:

"Times are tough at Lost Weekend Video! We’ve seen business suddenly drop by 30 percent just in the last few months, on top of the 60 percent hit we’ve already taken over the last few years. This has thrown us into pretty immediate crisis. We’d been working with an architect and the City to open a larger version of the Cinecave [Lost Weekend's basement screening room/performance venue] in the back half of the main space upstairs, but have found that it’s impossible due to a combination of the layout of the building and Valencia Street business restrictions. That has left us pretty much out of options."

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Frameline is underway! Plus: crooners, ping-pong champs, and more, in new movies

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Frameline 38, the San Francisco International LGBT Film Festival, kicked off last night and runs through June 29; check out our big list o' blurbs right here. Elsewhere, Clint Eastwood directs a musical, Guy Pearce prowls the outback, a very good suburban noir emerges from the Netherlands, a documentary takes on the cost of higher education, and more! Read on for the goods (and bads). 

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